Read Jen Graves' review of Automata in the Stranger
Read Sheila Farr's review of Automata in the Seattle Times
Read Regina Hackett's review of Automata in the P-I
Read Regina Hackett's review of The Death of Reason in the P-I
Read Emily Hall's review of The Death of Reason in the Stranger
JON HADDOCK
BORN: 1960
EDUCATION
1991 University of Iowa, Iowa City, Iowa, MFA
1990 University of Iowa, Iowa City, Iowa, MA
1986 Arizona State University, Tempe, Arizona, BFA
SOLO EXHIBITIONS
2008
Automata, Howard House, Seattle, WA
2004
Cartoon Violence, Clough-Hanson Gallery, Rhodes College, Memphis, TN
2001
Screenshots, Howard House, Seattle, WA
2000
Screenshots: A Project by Jon Haddock” for the exhibition “No Absolutes, Arizona State University Art Museum Experimental Gallery at Matthews Center, Tempe, AZ
Modifications, Roberts & Tilton Gallery, Los Angeles, CA
1999
Homemade, Howard House, Seattle WA
1991
Robot Prince, Drewlowe Gallery, University of Iowa, Iowa City, IA
GROUP EXHIBITIONS
2006
New Sculpture Survey, Howard House, Seattle, WA
2001
Cyborg Manifesto, or The Joy of Artifice, Laguna Art Museum, Laguna Beach, Tyler Stallings, Curator
Bitstream: Art in the Digital Age, Whitney Museum of American Art,
New York. Lawrence Rinder, Curator
1999
Air Hockey, Howard House, Seattle, WA
Not There, Rena Bransten, San Francisco, CA Robin Moll, Curator
1997
Too Small (To Stand on Their Own), Lead Gallery Annex, Seattle, WA
1992
R.K. Merritt / Jon Haddock, Ashtabula Art Center, Ashtabula, OH
1991
Recent Drawings: Works by Regional Graduates 1991, Paul Watkins Gallery, Winona State University, Winona, MN
MFA Thesis Exhibition, Museum of Art, University of Iowa, Iowa City, IA
TEH, Johnson County Arts Center, Iowa City, IA
1990
Three Perfectly Normal People Behaving in a Perfectly Normal Fashion, Drewlowe Gallery, University of Iowa, Iowa City, IA
Evil Twin, Bookstore Gallery, University of Iowa, Iowa City, IA
BIBLOGRAPHY
2001
Bates, Megan. “Thoughtful Bit of Work”, The Arizona Republic, March 22
Bodow, Steve. “The Whitney's Digital Sampler”, New York Magazine, March 26
Cheeverton, Richard. “INDELIBLE SIMULATIONS”. Los Angeles Times, March 4
Hall, Wendy Jackson. “Line of Sight”, Wired, April
Kushner, David. “Graphic Violence”, Spin, April
SeptRinder, Lawrence. “Bitstreams”, catalogue, Whitney Museum of American Art
Saltzman, Marc. Cyberspace, Newsweek, p. 14, 2001
2000
Searleman, Eric. "Artist mixes Nintendo with History," The Arizona Republic, August 31
Wen, Howard. "The Game of Art," Salon.Com, October 17
Vanesian, Kathleen. "New Paper Views," Phoenix New Times, October 19
Burnett, Roberta. "Images become 'Screenshots'," The Arizona Republic, October
Eça, Teresa. “A Vida Como Ela Não É”, Carta, Ano 1, No. 3, November Caplan, Jeremy. "Cut & Paste," Yahoo! Internet Life, December
Coupland, Ken. "Screen Space," METROPOLIS, December
Miller, Alicia. “Peering Behind Closed Doors”, Artweek, Vol. 30, Issue 9
1999
Bonetti, David. "Gallery Watch," San Francisco Examiner, June 30
Frederickson, Eric. "Painfully Normal: Haddock's Mundane Dramas," The Stranger, May 13,
Frederickson, Eric. "Unreal World," The Stranger, April 29 - May 5
Hackett, Regina. "Three Person Review", Seattle Post-Intelligencer, May 21
Im, Soyon. "Photography: Missing in Action," Seattle Weekly, April 29
Bjerk, Jon Andreas. “Fra Cyberspace til Psychospace”, Game Reactor http://no.gamereactor.net/news/index.asp?NewsID=444
AWARDS, GRANTS AND COMISSIONS
2000
Arizona Commission on the Arts Grant
1990
Lynch-Peltzer Fellowship for Painting, University of Iowa, Iowa City, IA
Graduate Teaching Fellowship, University of Iowa, Iowa City, IA
1989
Madison Tuition Scholarship, University of Iowa, Iowa City, IA
COLLECTIONS
Arizona State University Art Museum, Tempe, AZ
Collection of Ben and Aileen Krohn, Seattle, WA
Collection of Linda Farris, Seattle, WA
Collection of Robin Moll, San Francisco, CA